Writing enters into us when it gives us information about ourselves we are in need of *at the time that we are reading.* How obvious the thought seems once it has been articulated! As with love, politics, or friendship: readiness is all.

I don't write fiction but I do write narrative; I write memoirs that I treat like stories, so whenever I'm using somebody I actually know as a model, I am submitting them to the agenda of a storyteller, and I feel free to do what I want.

Awareness of the self is more acutely at the heart of things than it has ever been before. On the foundation of self-awareness alone rest all our hopes for a new politics, a new society, a revitalized life. If we do not genuinely know ourselves, the void will now, at last, surely rise up to meet us.

When I work I feel more alive than under any other circumstances. There's not an 'I love you' in the world that can match it. I feel safe, excited, at peace, erotic, centered. Nothing can touch me.

Scientists do what writers do. They also live with an active interiority, only the ongoing speculation in their heads is about relations in the physical world rather than the psychological one.

Adorable in her not-very-bright submissiveness, charming in her childlike delight in shiny floors, even forgivable in her spiteful competition for the whitest, brightest wash, Madison Avenue's girl-next door is all the American male could wish for: unless, by some miscarriage, he should fancy human companionship.

Before I knew that I was Jewish or a girl I knew that I was a member of the working class. At a time when I had not yet grasped the significance of the fact that in my house English was a second language, or that I wore dresses while my brother wore pants, I knew--and I knew it was important to know--that Papa worked hard all day long.