Gentle souls! You play your love on the violin. The crude ones play it on the drums violently. But can you turn yourselves inside out, like me And become just two lips entirely?

The love boat has crashed against the everyday.

If an American is motoring on his own, he (the paragon of morality and chastity) will slow down and stop beside every solitary pretty female pedestrian, bare his teeth in a big smile, and tempt her into his car with a wild roll of the eyes. A lady who fails to appreciate his passion will qualify as an idiot who doesn't realise how lucky she is to have the opportunity of getting to know the owner of this 100-horse-power motor car.

A line is a fuse that's lit. The line smolders, the rhyme explodes— and by a stanza a city is blown to bits.

There’s no grandfatherly fondness in me, There are no gray hairs in my soul! Shaking the world with my voice and grinning, I pass you by, - handsome, Twentytwoyearold.

Gentle souls! You play your love on the violin. The crude ones play it on the drums violently. But can you turn yourselves inside out, like me And become just two lips entirely?

They stood brow to brow, brown to white, black to black, he supporting her elbows, she playing her limp light fingers over his collarbone, and how he "ladored,"he said, the dark aroma of her hair blending with crushed lily stalks, Turkish cigarettes and the lassitude that comes from "lass." "No, no, don't," she said, I must wash, quick-quick, Ada must wash; but for yet another immortal moment they stood embraced in the hushed avenue, enjoying as they had never enjoyed before, the "happy-forever" feeling at the end of never-ending fairy tales.