There is nothing dictators hate so much as that unassailable, eternally elusive, eternally provoking gleam. One of the main reasons why the very gallant Russian poet Gumilev was put to death by Lenin's ruffians thirty odd years ago was that during the whole ordeal, in the prosecutor's dim office, in the torture house, in the winding corridors that led to the truck, in the truck that took him to the place of execution, and at that place itself, full of the shuffling feet of the clumsy and gloomy shooting squad, the poet kept smiling.

Pnin slowly walked under solemn pines. The sky was dying. He did not believe in an autocratic God. He did believe, dimly, in a democracy of ghosts. The souls of the dead, perhaps, formed committees, and these, in continuous session, attended the destinies of the quick.

Maybe the only thing that hints at a sense of Time is rhythm; not the recurrent beats of the rhythm but the gap between two such beats, the gray gap between black beats: the Tender Interval.

A writer should have the precision of a poet and the imagination of a scientist.

A toothache will cost a battle, a drizzle cancel an insurrection.

I loved you. I was a pentapod monster, but I loved you. I was despicable and brutal, and turpid, and everything, mais je t’aimais, je t’aimais!

There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog.