You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signsโthe slightly feline outline of a cheekbone, the slenderness of a downy limbs, and other indices which despair and shame and tears of tenderness forbid me to tabulateโthe little deadly demon among the wholesome children; she stands unrecognized by them and unconscious herself of her fantastic power.
Vladimir NabokovI shall continue to exist. I may assume other disguises, other forms, but I shall try to exist.
Vladimir NabokovIN ANSWER TO THE QUESTION: WHAT SCENES ONE WOULD LIKE TO HAVE FILMED Shakespeare in the part of the King's Ghost. The beheading of Louis the Sixteenth, the drums drowning his speech on the scaffold. Herman Melville at breakfast, feeling a sardine to his cat. Poe's wedding. Lewis Carroll's picnics. The Russians leaving Alaska, delighted with the deal. Shot of a seal applauding.
Vladimir NabokovMy private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatusesโthe baffling mirror, the black velvet backdrop, the implied associations and traditionsโwhich the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way.
Vladimir Nabokov