I always liked stories that carry on and have a different format from the normal music video.

I am still happy to be close to the city, [to be] connected to the intellectual source in Ferndorf. In this area, [I feel] connected with nature and unimportant in a postitive way.

The opportunity to use a computer is great when it is used as one component, or when someone is working on his or her own sounds and approaches. I think it actually has the same restrictions as using the piano or any other instrument in [a traditional] way.

When I read a script, I am already in the movie with my music, and I can dive into a world that I haven't seen before.

I also remember riding home from a wonderful day with only my bathing shorts, losing the chain of my bicycle, having no hand breaks, and slipping high speed on a street covered with stones. I had to go to the hospital.

I still visit my village quite often, as my parents and one of my sisters live there, but also I feel the village is more of an isolated, unreal part of me.

I think there is a big question in how much music a film needs - a lot of films are overloaded for my taste, so that the story can't carry its own weight.