The journalistic photographer can have no other than a personal approach; and it is impossible for him to be completely objective. Honest—yes. Objective—no.

I've never made any picture, good or bad, without paying for it in emotional turmoil.

Available light is any damn light that is available!

Passion is in all great searches and is necessary to all creative endeavors.

I think photojournalism is documentary photography with a purpose.

What's the best type of light? Why that would be available light... and by available light I mean any damn light is available.

Many claim I am a photographer of tragedy. In the greater sense I am not, for though I often photograph where the tragic emotion is present, the result is almost invariably affirmative.