You can't photograph if you're not in love.

I was after a set of pictures, so that when people looked at them they would say, ‘This is war’-that the people who were in the war would believe that I had truthfully captured what they had gone through I worked in the framework that war is horrible. I want to carry on what I have tried to do in these pictures. War is a concentrated unit in the world and these things are clearly and cleanly seen. Things like race prejudice, poverty, hatred and bigotry are sprawling things in civilian life, and not so easy to define as war.

What's the best type of light? Why that would be available light... and by available light I mean any damn light is available.

My photographs at best hold only a small length, but through them I would suggest and criticize and illuminate and try to give compassionate understanding.

...and each time I pressed the shutter release it was a shouted condemnation hurled with the hope that the picture might survive through the years, with the hope that they might echo through the minds of men in the future - causing them caution and remembrance and realization.

Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.

You can't photograph if you're not in love.