The stars are dead. The animals will not look: We are left alone with our day, and the time is short, and History to the defeated May say Alas but cannot help nor pardon.

It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful.

Anyone who has a child today should train him to be either a physicist or a ballet dancer. Then he'll escape.

But he would have us most of all remember to be enthusiastic over the night. Not only for the sense of wonder it alone has to offer but also because it needs our love. For with sad eyes its delectable creatures look up and beg us dumbly to ask them to follow. They are exiles who long for a future that lies in our power.

Mad Ireland hurt you into poetry.

The Three Wiseman: The weather has been awful, The countryside is dreary, Marsh, jungle, rock; and echoes mock, Calling our hope unlawful; But a silly song can help along Yours ever and sincerely: At least we know for certain that we are three old sinners, that this journey is much too long, that we want our dinners, and miss our wives, our books, our dogs, but have only the vaguest idea why we are what we are. To discover how to be human now Is the reason we follow this star.

If it really was Queen Elizabeth who demanded to see Falstaff in a comedy, then she showed herself a very perceptive critic. But even in The Merry Wives of Windsor, Falstaff has not and could not have found his true home because Shakespeare was only a poet. For that he was to wait nearly two hundred years till Verdi wrote his last opera. Falstaff is not the only case of a character whose true home is the world of music; others are Tristan, Isolde and Don Giovanni.