Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.

I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return.

Death is the sound of distant thunder at a picnic.

Of course, Behaviourism 'works'. So does torture. Give me a no-nonsense, down-to-earth behaviourist, a few drugs, and simple electrical appliances, and in six months I will have him reciting the Athanasian Creed in public.

Nobody knows what the cause is, though some pretend they do; it like some hidden assassin waiting to strike at you. Childless women get it, and men when they retire; it as if there had to be some outlet for their foiled creative fire.

Rhymes, meters, stanza forms, etc., are like servants. If the master is fair enough to win their affection and firm enough to command their respect, the result is an orderly happy household. If he is too tyrannical, they give notice; if he lacks authority, they become slovenly, impertinent, drunk and dishonest.

In Brueghel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster, the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green water, And the expensive ship that must have seen Something amazing, a boy falling out of the sky, Had somewhere to get to and sailed calmly on.