You need not see what someone is doing to know if it is his vocation, you have only to watch his eyes: a cook mixing a sauce, a surgeon making a primary incision, a clerk completing a bill of lading wear the same rapt expression, forgetting themselves in a function. How beautiful it is, that eye-on-the-obje ct look.

There are not many English novels which deserve to be called great: Parade's End is one of them.

What we have not named as a symbol escapes our notice.

As readers, we remain in the nursery stage so long as we cannot distinguish between taste and judgment, so long, that is, as the only possible verdicts we can pass on a book are two: this I like; this I don't like. For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don't like it; I can see this is good and, though at present I don't like it, I believe that with perseverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don't like it.

We were put on this earth to make things.

A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.

History is, strictly speaking, the study of questions; the study of answers belongs to anthropology and sociology.