As readers, we remain in the nursery stage so long as we cannot distinguish between taste and judgment, so long, that is, as the only possible verdicts we can pass on a book are two: this I like; this I don't like. For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don't like it; I can see this is good and, though at present I don't like it, I believe that with perseverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don't like it.

Slavery is so intolerable a condition that the slave can hardly escape deluding himself into thinking that he is choosing to obey his master's commands when, in fact, he is obliged to. Most slaves of habit suffer from this delusion and so do some writers, enslaved by an all too personal style.

Organic growth is a cyclical process; it is just as true to say that the oak is a potential acorn as it is to say the acorn is a potential oak. But the process of writing a poem, of making any art object, is not cyclical but a motion in one direction toward a definite end.

You know there are no secrets in America. It's quite different in England, where people think of a secret as a shared relation between two people.

To my generation no other English poet seemed so perfectly to express the sensibility of a male adolescent. If I do not now turn to him very often, I am eternally grateful to him for the joy he gave me in my youth.

The parlour cars and Pullmans are packed also with scented assassins, salad-eaters who murder on milk.

We are all here on earth to help others.