In Brueghel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster, the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green water, And the expensive ship that must have seen Something amazing, a boy falling out of the sky, Had somewhere to get to and sailed calmly on.

One cannot walk through an assembly factory and not feel that one is in Hell.

At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.

The masculine imagination lives in a state of perpetual revolt against the limitations of human life. In theological terms, one might say that all men, left to themselves, become gnostics. They may swagger like peacocks, but in their heart of hearts they all think sex an indignity and wish they could beget themselves on themselves. Hence the aggressive hostility toward women so manifest in most club-car stories.

Those to whom evil is doneDo evil in return.

Even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life

Over the tea-cups and in the square the tongue has its desire; Still waters run deep, my dear, there's never smoke without fire.