My poetry doesn't change from place to place - it changes with the years. It's very important to be one's age. You get ideas you have to turn down - 'I'm sorry, no longer'; 'I'm sorry, not yet.

The actors today really need the whip hand. They're so lazy. They haven't got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen.

To me Art's subject is the human clay, / And landscape but a background to a torso; / All Cezanne's apples I would give away / For one small Goya or a Daumier.

Say this city has ten million souls, Some are living in mansions, some are living in holes: Yet there’s no place for us, my dear, yet there’s no place for us.

The true men of action in our time those who transform the world are not the politicians and statesmen but the scientists. Unfortunately poetry cannot celebrate them because their deeds are concerned with things, not persons, and are therefore speechless. When I find myself in the company of scientists, I feel like a shabby curate who has strayed by mistake into a drawing room full of dukes.

I am sure it is everyone’s experience, as it has been mine, that any discovery we make about ourselves or the meaning of life is never, like a scientific discovery, a coming upon something entirely new and unsuspected; it is rather, the coming to conscious recognition of something, which we really knew all the time but, because we were unwilling to formulate it correctly, we did not hitherto know we knew.

I think the first prerequisite to civilization is an ability to make polite conversation.