To say what or where we came from has nothing to do with what or where we came from. We do not come from there any more, but only from each word that proceeds out of the mouth of the unnamed. And yet sometimes it is our only way of pointing to who we are.

I wouldn't be happy about being considered a love poet or an environmental - I don't want any of those tags.

But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.

In the time that I have been acquainted with this region I have become increasingly aware of it as a testament of water, the origin and guide of its contours and gradients and of all the lives - the plants and small creatures, and the culture - that evolved here. That was always here to be seen, of course, and the recognition has forced itself, in one form or other, upon people in every part of the world who have been directly involved with the growing of living things. The gardener who ignores it is soon left with no garden.

The Divine Comedy is a political poem and when you say poetry is not about - he's always quoted out of context, that "poetry makes nothing happen," that doesn't mean you shrug your shoulders and don't try to make anything happen. And Dante felt that poetry was engaged, there was a point of view; it's not my point of view, it's orthodox medieval Christianity, and I have my troubles with that. He didn't feel that you could just rule out so important a section of life - we care about these things, and it's out of caring about them that we write poetry.

My cradle was a shoe.

If there'd been a better-balanced society, where there were other ways of making a decent living, I think it might have been different. That's not the way this setup work.