I had hardly begun to read I asked how can you ever be sure that what you write is really any good at all and he said you can't you can't you can never be sure you die without knowing whether anything you wrote was any good if you have to be sure don't write

I say to my breath once again, little breath come from in front of me, go away behind me, row me quietly now, as far as you can, for I am an abyss that I am trying to cross.

In the time that I have been acquainted with this region I have become increasingly aware of it as a testament of water, the origin and guide of its contours and gradients and of all the lives - the plants and small creatures, and the culture - that evolved here. That was always here to be seen, of course, and the recognition has forced itself, in one form or other, upon people in every part of the world who have been directly involved with the growing of living things. The gardener who ignores it is soon left with no garden.

Your absence has gone through me

My words are the garment of what I shall never be Like the tucked sleeve of a one-armed boy.

But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.

The moment we turn over the soil we start poisoning it and we go on poisoning it all the way through... and there's probably not a river in the United States that doesn't have pesticide poisoning in it. The fish are dying. The seas are getting polluted. All of these things are happening. The rain forests are going. That's what the context is.