It was like making a blunder at a party; there was nothing to do about it, it was dreadfully mortifying, but it showed a lack of sense to ascribe too much importance to it.

As we grow older we become more conscious of the complexity, incoherence, and unreasonableness of human beings; this indeed is the only excuse that offers for the middle-aged or elderly writer whose thoughts should more properly be turned to graver matters, occupying himself with the trivial concerns of imaginary people.

Perhaps it would have been possible to see in him a new Prometheus...the hero who for the good of mankind exposes himself to the agonies of the damned...undaunted by failure, by an unceasing effort of courage holding despair at bay, doggedly persistent in the face of self-doubt, which is the artist's bitterest enemy.

Evil can be condoned only if in the beyond it is compensated by good and god himself needs immortality to vindicate his ways to man.

You Europeans know nothing about America. Because we amass large fortunes you think we care for nothing but money. We are nothing for it; the moment we have it we spend it, sometimes well, sometimes ill, but we spend it. Money is nothing to us; it's merely the symbol of success. We are the greatest idealists in the world; I happen to think that we've set our ideal on the wrong objects; I happen to think that the greatest ideal man can set before himself is self-perfection.

But Philip was impatient with himself; he called to mind his idea of the pattern of life: the unhappiness he had suffered was no more than part of a decoration which was elaborate and beautiful; he told himself strenuously that he must accept with gaiety everything, dreariness and excitement, pleasure and pain, because it added to the richness of the design.

Art should be appreciated with passion and violence, not with a tepid, depreciating elegance that fears the censoriousness of a common room.