You can never know enough about your characters

The great critic … must be a philosopher, for from philosophy he will learn serenity, impartiality, and the transitoriness of human things.

No egoism is so insufferable as that of the Christian with regard to his soul.

You know, there are two good things in life, freedom of thought and freedom of action. In France you get freedom of action: you can do what you like and nobody bothers, but you must think like everybody else. In Germany you must do what everybody else does, but you may think as you choose. They're both very good things. I personally prefer freedom of thought. But in England you get neither: you're ground down by convention. You can't think as you like and you can't act as you like. That's because it's a democratic nation. I expect America's worse.

The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of thought; and, indifferent to aught else, care nothing for praise or censure, failure or success.

There is a sort of man who pays no attention to his good actions, but is tormented by his bad ones. This is the type that most often writes about himself.

People do tell a writer things that they don't tell others. I don't know why, unless it is that having read one or two of his books they feel on peculiarly intimate terms with him; or it may be that they dramatize themselves and, seeing themselves as it were as characters in a novel, are ready to be as open with him as they imagine the characters of his invention are.