[In art] you are telling the reader or the listener or the viewer something he already knows but which he doesn't quite know that he knows, so that in the action of communication he experiences a recognition, a feeling that he has been there before, a shock of recognition.

But there is much to be said for giving up ... grand ambitions and living the most ordinary life imaginable.

Your discovery, as best as I can determine, is that there is an alternative which no one has hit upon. It is that one finding oneself in one of life's critical situations need not after all respond in one of the traditional ways. No. One may simply default. Pass. Do as one pleases, shrug, turn on one's heel and leave. Exit. Why after all need one act humanly?

Why is there such a gap between nonspeaking animals and speaking man, when there is no other such gap in nature?

Have you noticed that only in time of illness or disaster or death are people real?

The difference between a non-suicide and an ex-suicide leaving the house for work, at eight o'clock on an ordinary morning: The non-suicide is a little traveling suck of care, sucking care with him from the past and being sucked toward care in the future. His breath is high in his chest. The ex-suicide opens his front door, sits down on the steps, and laughs. Since he has the option of being dead, he has nothing to lose by being alive. It is good to be alive. He goes to work because he doesn't have to.

Lord, grant that my work increase knowledge and help other men. Failing that, Lord, grant that it will not lead to man’s destruction. Failing that, Lord, grant that my article in Brain be published before the destruction takes place.