The mystery lies in the here and now. The mystery is: What is one to do with oneself? As you get older you begin to realize the trick time is playing, and that unless you do something about it, the passage of time is nothing but the encroachment of the horrible banality of the past on the pure future. The past devours the future like a tape recorder, converting pure possibility into banality. The present is the tape head, the mouth of time. Then where is the mystery and why bother kicking through the ashes? Because there is a clue in the past.

In a word, the consumer of mass culture is lonely, not only lonely, but spiritually impoverished.

[In art] you are telling the reader or the listener or the viewer something he already knows but which he doesn't quite know that he knows, so that in the action of communication he experiences a recognition, a feeling that he has been there before, a shock of recognition.

Ooooh," Kate groans, Kate herself now. "I'm so afraid." "I know." "What am I going to do?" "You mean right now?" "Yes." "We'll go to my car. Then we'll drive down to the French Market and get some coffee. Then we'll go home." "Is everything going to be all right?" "Yes." "Tell me. Say it." "Everything is going to be all right.

The present age is demented. It is possessed by a sense of dislocation, a loss of personal identity, an alternating sentimentality and rage which, in an individual patient, could be characterized as dementia.

Suppose you ask God for a miracle and God says yes, very well. How do you live the rest of your life?

Nobody but a Southerner knows the wrenching rinsing sadness of the cities of the North.