What needs to be discharged is the intolerable tenderness of the past, the past gone and grieved over and never made sense of. Music ransoms us from the past, declares an amnesty, brackets and sets aside the old puzzles. Sing a new song. Start a new life, get a girl, look into her shadowy eyes, smile.

Ignorance, if recognized, is often more fruitful than the appearance of knowledge.

For the world is broken, sundered, busted down the middle, self ripped from self and man pasted back together as mythical monster, half angel, half beast, but no man...Some day a man will walk into my office as a ghost or beast or ghost-beast and walk out as a man, which is to say sovereign wanderer, lordly exile, worker and waiter and watcher.

I couldn't stand it. I still can't stand it. I can't stand the way things are. I cannot tolerate this age.

If poets often commit suicide, it is not because their poems are bad but because they are good. Whoever heard of a bad poet committing suicide? The reader is only a little better off. The exhilaration of a good poem lasts twenty minutes, an hour at most. Unlike the scientist, the artist has reentry problems that are frequent and catastrophic.

Hatred strikes me as one of the few signs of life remaining in the world. This is another thing about the world which is upsidedown: all the friendly and likable people seem dead to me; only the haters seem alive.

A repetition is the re-enactment of past experience toward the end of isolating the time segment which has lapsed in order that it, the lapsed time, can be savored of itself and without the usual adulteration of events that clog time like peanuts in brittle.