The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.

We write to make sense of it all.

We are fossils in the making.

It is the beginning of wisdom when you recognize that the best you can do is choose which rules you want to live by, and it's persistent and aggravated imbecility to pretend you can live without any.

A muddy little stream, a village grown unfamiliar with time and trees. I turn around and retrace my way up Main Street and park and have a Coke in the confectionery store. It is run by a Greek, as it used to be, but whether the same Greek or another I would not know. He does not recognize me, nor I him. Only the smell of his place is familiar, syrupy with old delights, as if the ghost of my first banana split had come close to breathe on me.

No life goes past so swiftly as an eventless one, no clock spins like a clock whose days are all alike.

How much wilderness do the wilderness-lovers want? ask those who would mine and dig and cut and dam in such sanctuary spots as these. The answer is easy: Enough so that there will be in the years ahead a little relief, a little quiet, a little relaxation, for any of our increasing millions who need and want it.