Hard writing makes easy reading.

Creation is a knack which is empowered by practice, and like almost any skill, it is lost if you don't practice it.

Largeness is a lifelong matter. You grow because you are not content not to. You are like a beaver that chews constantly because if it doesn't, it's teeth grow long and lock. You grow because you are a grower; you're large because you can't stand to be small.

... I was reminded of a remark of Willa Cather's, that you can't paint sunlight, you can only paint what it does with shadows on a wall. If you examine a life, as Socrates has been so tediously advising us to do for so many centuries, do you really examine a life, or do you examine the shadows it casts on other lives? Entity or relationships? Objective reality or the vanishing point of a multiple perspective exercise? Prism or the rainbows it refracts? And what if you're the wall? What if you never cast a shadow or rainbow of your own, but have only caught those cast by others?

You'll do what you think you want to do, or what you think you ought to do. If you're very lucky, luckier than anybody I know, the two will coincide.

He used to tell me, 'Do what you like to do. It'll probably turn out to be what you do best.

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.