She says, "But in contentment I still feel The need for imperishable bliss." Death is the mother of beauty; hence from her, Alone, shall come fulfillment to our dreams And our desires. Is there no change of death in paradise? Does ripe fruit never fall? or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receding shores That never touch with inarticulate pang?

Trees Trees, proud standing people stretching fingertips to the sky, reaching, praying glorious attention, breathing light. strength shelter timeless confidence bending and firm comforting rooted chorus line dancing with the moon, the wind, the clouds framing bursts of stars tender rugged celebration absorbing and releasing life each holy branch holding the power of the Universe. There.

Poetry has to be something more than a conception of the mind. It has to be a revelation of nature. Conceptions are artificial. Perceptions are essential.

The philosopher proves that the philosopher exists. The poet merely enjoys existence.

You like it under the trees in autumn, because everything is half dead. The wind moves like a cripple among the leaves and repeats words without menaing.

Intolerance respecting other people's religion is toleration itself in comparison with intolerance respecting other people's art.

In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American -- on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.