The people in the world, and the objects in it, and the world as a whole, are not absolute things, but on the contrary, are the phenomena of perception... If we were all alike: if we were millions of people saying do, re, mi, in unison, One poet would be enough... But we are not alone, and everything needs expounding all the time because, as people live and die, each one perceiving life and death for himself, and mostly by and in himself, there develops a curiosity about the perceptions of others. This is what makes it possible to go on saying new things about old things.

Perhaps there is a degree of perception at which what is real and what is imagines are one: a state of clairvoyant observation, accessible or possibly accessible to the poet or, say, the acutest poet.

The leaves hop, scraping on the ground. It is deep January. The sky is hard. The stalks are firmly rooted in ice. It is in this solitude, a syllable, Out of these gawky flitterings, Intones its single emptiness, The savagest hollow of winter-sound.

A pear should come to the table popped with juice, Ripened in warmth and served in warmth. On terms Like these, autumn beguiles the fatalist.

Everything is complicated; if that were not so, life and poetry and everything else would be a bore.

One must read poetry with one's nerves.

It has to be living, to learn the speech of the place, It has to face the man of the time.