I grew up in a household of women, they ran the show, they kept it all together. I credit my ability to write in female voices, as well as male, with having grown up with older sisters in a neighborhood largely populated by girls.

Love grows from the rich foam of forgiveness, mongrels make good dogs, and the evidence of God exists in the roundness of things.

Eastern Connecticut is very different from Western; we're more liverwurst than pâté, more bowling than polo.

Hardest thing: creating something out of nothing - the first draft is torturous.

My soul was a burden, bruised and bleeding. It was tired of the man who carried it, but I found no place to set it down to rest. Neither the charm of the countryside nor the sweet scents of a garden could soothe it. It found no peace in song or laughter, none in the company of friends at table or in the pleasures of love, none even in books or poetry.... Where could my heart find refuge from itself? Where could I go, yet leave myself behind?

I don't know. Maybe we're all chaos theorists. Lovers of pattern and predictability, we're scared shitless of explosive change. But we're fascinated by it, too. Drawn to it. Travelers tap their brakes to ogle the mutilation and mangled metal on the side of the interstate, and the traffic backs up for miles. Hijacked planes crash into skyscrapers, breached levees drown a city, and CNN and the networks rush to the scene so that we can all sit in front of our TVs and feast on the footage. Stare, stunned, at the pandemonium--the devils let loose from their cages.

I wanted to connect a modern story with a myth that I had read.