The adjustment of reality to the masses and of the masses to reality is a process of unlimited scope, as much for thinking as for perception.

Nothing is poorer than a truth expressed as it was thought. Committed to writing in such cases, it is not even a bad photograph. Truth wants to be startled abruptly, at one stroke, from her self-immersion, whether by uproar, music or cries for help.

Man is the namer; by this we recognize that through him pure language speaks. All nature, insofar as it communicates itself, communicates itself in language, and so finally in man. Hence, he is the lord of nature and can give names to things. Only through the linguistic being of things can he get beyond himself and attain knowledge of them-in the name. God's creation is completed when things receive their names from man, from whom in name language alone speaks.

In the convulsions of the commodity economy, we begin to recognize the monuments of the bourgeoisie as ruins even before they have crumbled.

The adjustment of reality to the masses and of the masses to reality is a process of unlimited scope, as much for thinking as for perception.

In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.

History breaks down into images, not into stories.