These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything.

Comic books were telling me what life was about. This was how I kind of entered life, through fiction.

Every day that we wake up is a good day. Every breath that we take is filled with hope for a better day. Every word that we speak is a chance to change what is bad into something good.

The way I write is this: I write about a thousand words a day, a little bit more. The next morning, I read those thousand words and cursorily edit that. Then I write the next thousand. I do that all the way to the end of the book and then I reread the book quite a few times, editing as go through.

A peasant that reads is a prince in waiting.

It was mid-November 2008. There were pirates taking ships with impunity in African waters, terrorists punching holes in Indian security, China sinking towards depression because Americans were afraid to buy cheap goods for Christmas, and the richest nation in the history of the world was talking about how to keep a budget.

Your book grows. The early part of your book is growing still while you are writing the later part of your book.