I wrote about wasting time, which I suppose is a part of the great human journey. We're supposed to wallow, to go through the desert without water for a long time so that when we finally drink it, we'll truly need it and we won't spill a drop. It's about being present.

I think I've made a career out of making despicable people likable.

For violent people to make themselves vulnerable, and then to have that vulnerability be used against them, bad things can happen.

Success in TV-showmaking is just a matter of being authentic and doing the best you can, and you hope that people watch it and like it. For us [showmakers], we know where our bread is buttered, and we live by the written word of the critic. That's how shows build a critical mass on cable.

I like storytelling, and I feel more confident as the years have gone on about my ability to do that.

It's about something that I'm extremely passionate about: exploring other cultures, how Americans are perceived by other cultures and how we perceive other cultures through our worldview. I travel whenever I get an opportunity to do so, and I think this country is ready for a show on television that is bilingual and really puts front and center another culture, both as the protagonist and the antagonist.

I try to leave a light footprint. I'm involved with Global Green, which aims to educate people about sustainable building and the greening of schools. I try to be aware about the consumption of unnecessary things in a consumptive culture.