A lot of my work reflects the incredible influence that America has had on contemporary African culture. Some of it's insidious, some of it's innocuous, some of it's invisible. It's there.

I hope my kids see imagination has power to change everything.

In most cases I start off with a sketch. But I'm also thinking about real images: out of National Geographic, out of fashion magazines, out of The Economist, out of Time. I'm making a sketch, but I'm using the existing images that have been put out in the world.

Always acknowledge your position in the food chain... They eat because you grow the food.

I'm not a policy maker. I'm not even a very great activist. My main thing is to make things that speak for the culture that I live in.

Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.

Kenya is rapidly developing its industry and manufacturing, and its cultural identity as a new country. We had a humongous history pre-British, and when we were colonized and violently reshuffled, we had to decide who we were again. We couldn't rest on the stories and the cultures of our great-grandparents.