Color cannot stand alone.

Color is the keyboard. The eye is the hammer. The soul is the piano, with its many strings.

Drawing instruction is a training towards perception, exact observation and exact presentation not of the outward appearances of an object, but of its constructive elements, its lawful forces-tensions, which can be discovered in given objects and of the logical structures of same-education toward clear observation and clear rendering of the contexts, whereby surface phenomena are an introductory step towards the three-dimensional.

There is only one road to follow, that of analysis of the basic elements in order to arrive ultimately at an adequate graphic expression.

With few exceptions, music has been for some centuries the art which has devoted itself not to the reproduction of natural phenomena, but rather to the expression of the artist's soul, in musical sound.

The artist is the hand that, by touching this or that key, sets the soul vibrating automatically.

Whether the psychological effect of color is direct...or whether it is the outcome of association, is open to question. The soul being one with the body, it may well be possible that a psychological tremor generates corresponding one through association.