A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art.

Colors produce a spiritual vibration, the impression they create is important only as a step towards this vibration.

Color is the keyboard. The eye is the hammer. The soul is the piano, with its many strings.

Every work of art is the child of its time, often it is the mother of our emotions.

Each color lives by its mysterious life.

An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.

There is only one road to follow, that of analysis of the basic elements in order to arrive ultimately at an adequate graphic expression.