I remember when my father was dying, I remember listening to Bjork, and listening to John Coltrane, and these things, and I don't know why but music has the power to transcend your physical being and take you up just a little bit.

We want, or wanted, to believe that without love we would disappear, that love, somehow, would save us that, yeah, if we have love, give love and know love, we are truly alive and if there is no love, there would be no life. The Terror is, we know now, that even without love, life goes on... we just go on there is no mercy killing.

It is comforting to know that there is at least one place where we can go and be confident that we will find an audience thirsting to find new music. Paste Magazine is that place. It's loss would create a very large black hole.

Occasionally there are people who are not like me, and I forget that they're more introverted or shy, or just don't want to make a decision so quickly.

Life is worth celebrating and worth living even though we're all headed to the same hole at the end of the day.

Advertising agencies come to you and they are great fans, they are great creative people themselves, but they ask you to do something, and you say, "Well, we will, we'll create something together." And it is work. It's like you're doing something and they're saying, "Change this" and "Change that." It's not hard, horrible work, but creatively it's not just freedom.

You can't really imagine every moment of a movie in the same way that you wouldn't expect a novelist to envision every sentence of his 800-page novel.