I can see that if this was an album done 10 or 15 years ago we could see we were moving on to some place else.

There were a couple of times where I shot things, or started off in one mode and thought, "Well, I really didn't want to do that." I would just change my mind. And frankly, I don't think anybody really cared. I didn't have some producer that had given me $10 million, demanding results. I could just kind of do whatever I thought was right, and move in that way.

I'm pouring my guts out so they can feel like your guts at the same time.

Without art, without communicating, we wouldn't live beyond 30 because we'd be so sad and depressed.

I do think there is a segment of people in Oklahoma that really do love the Flaming Lips and love this other idea of what someone from Oklahoma could be like. I've sort of become the spokesperson for this "other person" who could come from Oklahoma.

A lot of times I'll doodle on something while I'm doing interviews, because sometimes I'm on the phone for three or four hours and I want to get something going. I'll just start from a scribble, or something that someone else already put on the page.

I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.