Unlike a lot of choreographers, I don't always start with the music. I often start with a visual artist, and then find music that fits the world of that visual artist.

Dancers can get to see almost everything now. When I used to go into companies to make a piece, the dancers had hardly ever seen my work. Now they can watch it on YouTube. It means they're much faster at picking up material.

For me, choreography is a process of physical thinking. It's very much in mind as well as in body.

My influences change all the time; they have to remain current, because they're the things that capture your imagination and make you want to go into the studio.

Choreography and creativity - it's my matrix; let's see where we can move.

I like to practise. With every new piece, you make mistakes and you learn. So it's important to get on and have another go.

Unlike a lot of choreographers, I don't always start with the music. I often start with a visual artist, and then find music that fits the world of that visual artist.