I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.

Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.

Exposing something that's painful or raw or not so pleasant. That seems to be the dramatic motor of documentaries, exposure.

All I do is work, that's all my life is work.

As far as I'm concerned, there is no line between high art and pop art, and there should be no line.

When we see something beautiful it calls up raw, naked emotion and that's an embarrassing situation to be in.

No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience rolling her eyes, "Oh Wayne, you're embarrassing yourself." There's always someone like that.