I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come out of the audience and go, "Hey man, you should have cut 20 minutes. That wasn't so good." And I'll just obsess on that one guy. After all this love, I'll obsess on him and want to smash his face in and strangle him and kick him down the stairs and I'll be pouting about that one guy all night.

Almost all Iraqis with any previous experience in the intelligence business are Sunni Arab, increasing the risk of penetration of the new intelligence apparatus by the insurgency.

I throw dignity out the window, and just become a creature of the moment on the stage. I act like I'd never act in real life.

Static puppets, I wanted them to move, they're looking out the windows, but we didn't have time to rig those. I have more ideas than I can execute also every time that I do anything. I put the puppets in because people love 'em. I'm a populist in that sense.

I hate the whole group of artists who are so hermetic and completely indecipherable on some level and they're all proud of themselves for it. It's like, how obnoxious, how pretentious. And that's part of my mission as an artist is to kick down those people or make fun of that type of high horse attitude.

I'm a sign painter with no boss.

As far as I'm concerned, there is no line between high art and pop art, and there should be no line.