We don't eat to live, we live to eat because that's a part of the creativity of the day.

When you're doing comedy on stage, it's great because you have the audience there and they're like another actor in the scene. You feed off of them, laugh. But in film when everyone's quiet, it's all about timing. But the key to that is to be authentic. Be in the moment, and if you play the moment truthfully, the humor will be there.

The NFL is such a large, multibillion dollar enterprise with fan loyalty because they have provided not only entertainment for sports fans, but memories, good memories, family memories to these fans, that can only bring about good will.

I went to Beijing for the Olympics and was literally right across the track from Usain Bolt. And when he gets to full stride, for every two steps the other guy's taking, he's just taking one.

I always wanted to be a journeyman actor. I wanted to be able to do comedy and drama, classical and contemporary. I like to do film and theater. And I pride myself on that diversity of being a journeyman actor.

The whole idea of jazz came about was the interpretation of the human dialogue, trading fours. When someone's soloing and someone picks up the solo and plays it back at 'em, it was the imitation of the human dialogue. It was how people spoke, through music.

One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.