It was really great to also see the response that people were having to 'Treme' 'cause you're in a vacuum when you're on a TV show. You see the response online, you read about it and all of that, but actually to be live and have that many thousands of fans come out, it's really wonderful.

Whenever an actor was going to die, I tried to help them understand not to take it personally. It wasn't about them. It's the story.

I worked at the American Conservatory Theater in San Francisco, lived there for three years, and lived in Baltimore for 12 years.

The whole idea of jazz came about was the interpretation of the human dialogue, trading fours. When someone's soloing and someone picks up the solo and plays it back at 'em, it was the imitation of the human dialogue. It was how people spoke, through music.

One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.

New Orleans, more than many places I know, actually tangibly lives its culture. It's not just a residual of life; it's a part of life. Music is at every major milestone of our life: birth, marriage, death. It's our culture.

One of the richest countries in the history of the world having communities where people have to go over half an hour to get to fresh produce and food is unacceptable.