The more closely you look at one thing, the less closely can you see something else.

Only a few know, how much one must know to know how little one knows.

I think that the discovery of antimatter was perhaps the biggest jump of all the big jumps in physics in our century.

What we observe is not nature itself but nature exposed to our method of questioning. Our scientific work in physics consists in asking questions about nature in the language that we possess and trying to get an answer from experiment by the means that are at our disposal.

Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.

Every tool carries with it the spirit by which it has been created.

The ontology of materialism rested upon the illusion that the kind of existence, the direct "actuality" of the world around us, can be extrapolated into the atomic range. This extrapolation is impossible, however.