It was about three o'clock at night when the final result of the calculation [which gave birth to quantum mechanics] lay before me ... At first I was deeply shaken ... I was so excited that I could not think of sleep. So I left the house ... and awaited the sunrise on top of a rock.

Science no longer is in the position of observer of nature, but rather recognizes itself as part of the interplay between man and nature. The scientific method ... changes and transforms its object: the procedure can no longer keep its distance from the object.

When I meet God, I am going to ask him two questions: Why relativity ? And why turbulence ? I really believe he will have an answer for the first.

The problems of language here are really serious. We wish to speak in some way about the structure of the atoms. But we cannot speak about atoms in ordinary language.

Looking at something changes it.

Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.

Modern physics has changed nothing in the great classical disciplines of, for instance, mechanics, optics, and heat. Only the conception of hitherto unexplored regions, formed prematurely from a knowledge of only certain parts of the world, has undergone a decisive transformation. This conception, however, is always decisive for the future course of research.