Science clears the fields on which technology can build.

[T]he atoms or elementary particles themselves are not real; they form a world of potentialities or possibilities rather than one of things or facts.

Even for the physicist the description in plain language will be a criterion of the degree of understanding that has been reached.

Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.

A consistent pursuit of classical physics forces a transformation in the very heart of that physics.

The exact sciences also start from the assumption that in the end it will always be possible to understand nature, even in every new field of experience, but that we may make no a priori assumptions about the meaning of the word understand.

It is probably true quite generally that in the history of human thinking the most fruitful developments frequently take place at those points where two different lines of thought meet. These lines may have their roots in quite different parts of human nature, in different times or different cultural environments or different religious traditions: hence if they actually meet, that is, if they are at least so much related to each other that a real interaction can take place, then one may hope that new and interesting developments may follow.