Of course there's a value in a storyboard if you do a big - let's say an action movie and actors have to move and act in front of a green screen because entire backgrounds exploding and cars flying through there have to be created separately, and in this case you better make sure the actors are precisely placed and the background action is moving in a certain moment, for this type of film you would need a storyboard.

Well, it had to be about the stories and the people who live under the volcano, what kind of new gods do they create? What sort of demons? And of course North Korea falls clearly into this category since the socialist revolution at the end of the Second World War. Somehow they adopted the myth of the power and dynamics of their volcano.

I don't see [the jungle] so much erotic. I see it more full of obscenity. It's just - Nature here is vile and base. I wouldn't see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and growing and just rotting away. Of course, there's a lot of misery. But it is the same misery that is all around us. The trees here are in misery, and the birds are in misery. I don't think they sing. They just screech in pain.

[ Digital revolution ] only has allowed me to work faster, editing digitally, which I'm doing right now, a film on volcanoes. I can edit almost as fast as I'm thinking, editing with celluloid means always searching for this little reel of film, and number it, and scribble on it with some sort of pens, and gluing it together, and working on a flatbed. It's much, much slower.

My crew [on "Fitzcarraldo" filming] actually said, "We have filmed it from outside on the rocks of the shore. We should be on board [the ship]," and I said it's dangerous, I only do it if you cinematographer Thomas Mauch and you actor [Klaus] Kinski decide on your own.

The collapse of the stellar universe will occur - like creation - in grandiose splendor.

We are not accountants, We are not accountants who do number after number after number of storyboard images, a robot could do it ultimately, but what I'm doing a robot cannot do.