I simply don't like the culture of drugs. I never liked the hippies for it. I think it was a mistake to be all the time stoned and on weed. It didn't look right and it doesn't look right today either and the damage drugs have done to civilizations are too enormous. And besides, I don't need any drug to step out of myself. I don't want them and I do not need them.

I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.

I think psychology and self-reflection is one of the major catastrophes of the twentieth century.

I make films because I have not learned anything else and I know I can do it to a certain degree. And it is my duty because this might be the inner chronicle of what we are. We have to articulate ourselves, otherwise we would be cows in the field.

It's very strange, for example, in North Korea where the volcano at the Chinese border is some sort of the mythical birthplace of the Korean people.

A fairly young, intelligent-looking man with long hair asked me whether filming or being filmed could do harm, whether it could destroy a person. In my heart the answer was yes, but I said no.

It was a subject [ volcanoes] that was dormant in me for a long time and it popped up 40 years ago when I made a [short] film on the Caribbean island of Guadeloupe about a volcano that was about to explode and a single farmer refused to leave ["La Soufrière"].