When the camera is looking back at our planet Earth, it's the tiniest of specks somewhere out there in the universe. So we do have a new sense of proportion. Of course the volcanoes and the magma under us just remind us of that.

I have been in lots of very intense life situations. I have been shot at, and I have been hungry, and I have been in solitude, and I have also briefly been behind bars. So in a way, I know the heart of men.

Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.

I have not seen a film as powerful, surreal, and frightening in at least a decade unprecedented in the history of cinema.

Everything you see in North Korea, it's all propaganda, but it's all connected to the volcano.

You have to realize that, about 20,000 years ago, there was a cataclysmic event when an entire rock face collapsed and sealed off the cave. It's a completely preserved time capsule. You've got tracks of cave bears that look like they were left yesterday, and you've got the footprint of a boy who was probably eight years old next to the footprint of a wolf.

Once in a while I come across a director who hasgrown up thousands of miles from me, and the work touches me.Through these issues/50/images I am connected and something is illuminated.And I know then that I am not alone.