Amos Vogel was a mentor, a guiding light for me. In his presence, you always rose. But his importance to me is of minor significance. What is significant is that with him an entire epoch ends. The Last Lion has left us.I am still not capable - or rather unwilling - to understand the fact that Amos passed away, because a man like him cannot be dead. His traces are everywhere.

THE ACT OF KILLING invents a new form of cinematic surrealism.

There's a completely new culture out there. I'm not a participant of texting and driving - or texting at all - but I see there's something going on in civilization which is coming with great vehemence at us.

The opinion of the public is sacred. The director is a cook who merely offers different dishes to them and has no right to insist they react in a particular way. A film is just a projection of light, completed only when it crosses the gaze of the audience[...]

I prefer the material woman.

If I had to climb into hell and wrestle the devil himself for one of my films, I would do it.

Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.