Once in a while I come across a director who hasgrown up thousands of miles from me, and the work touches me.Through these issues/50/images I am connected and something is illuminated.And I know then that I am not alone.

It's funny how in the long time of me working in various countries and various situations that there is this kind of idea out in the media that I am a daredevil and that I risk the lives of everyone around me, but nobody ever gets hurt on my shoot. Some crew members sometimes, but the actors are OK.

Facts sometimes have a strange and bizarre power that makes their inherent truth seem unbelievable.

ِِِِِِِِِِArt house theaters are vanishing. They have almost disappeared completely, and that means there's a shift in what audiences want to see. And they have to be aware of that and be realistic. It's as simple as that.

When I see a face, I see a face in general and I see you are curious, I see the curiosity but I don't not look after a dermatological report of your cheeks, and that's what you see when you're too high-resolution. And now desperately in post-production, in color grading, they are trying to wipe out the precision of the dermatological report.

I am someone who takes everything very literally. I simply do not understand irony, a defect I have had ever since I was able to think independently.

Public life is constantly aware of the volcano.