When I film, there are no emotions. That would be the last thing.

I do whatever pushes me hardest. It's coming at me and I try to... it's like uninvited guest and I have to wrestle them out the door or through the window - get them out and get over with them quickly.

I shouldn't make movies anymore. I should go to a lunatic asylum.

Never wallow in your troubles; despair must be kept private and brief.

After "Jack Reacher" the parts I didn't like, most of it was silly.

I always had a feeling, for example, that there should be something from Verdi's "Requiem" in the film. You hear it when you see the lava flow in Iceland. That turned out to be a very easy choice.

I'm talking a lot on financing in the Masterclass and I know what it means to because I had to finance my first films, all of them, and I earned my money as a welder in a steel factory doing night shifts while I was still in high school during the day.