I always had a feeling, for example, that there should be something from Verdi's "Requiem" in the film. You hear it when you see the lava flow in Iceland. That turned out to be a very easy choice.

I think it is a quest of literature throughout the ages to describe the human condition.

For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.

I do have a clear vision, and I do see things that are existing in my quote-unquote spirit, but that doesn't necessary make me a very spiritual person.

Look into the eyes of a chicken and you will see real stupidity. It is a kind of bottomless stupidity, a fiendish stupidity. They are the most horrifying, cannibalistic and nightmarish creatures in the world.

Spirit of immersion and curiosity and awe and participation is something which Timothy Treadwell and I have in common.

I think I'm a prudent filmmaker.