Of course I do things in my voice in my commentary, which I wrote.

I work very fast and steadily, and I don't hardly ever notice that I'm working. It feels like just breathing or walking when I do films.

I have worked for YouTube like texting and driving because I was curious to test what's out there and how does it function, can I release something like about texting and driving to very young audiences, at the age where they do their drivers test? And the response was phenomenal, millions of people saw it.

It seems odd, but people who see my films normally take them in in a deeper way than you would actually watch a film, let's say The Terminator or whatever.

I'm not a journalist; I'm a poet. I had a discourse, an encounter with these people but I never had a list of questions.

Well, it had to be about the stories and the people who live under the volcano, what kind of new gods do they create? What sort of demons? And of course North Korea falls clearly into this category since the socialist revolution at the end of the Second World War. Somehow they adopted the myth of the power and dynamics of their volcano.

We are just a blip. I found it very interesting when Clive [Oppenheimer] interviewed the Ethiopian scientists and asked them, "Do we have another 100,000 years?" In their calculation, mankind will be entering a very critical phrase a thousand years from now.