Netflix knew I was going to North Korea and Ethiopia and Iceland. They saw the film and liked it and that was that.

In private I'm not. You will have to ask my wife. She maintains I'm a fluffy husband.

There's a completely new culture out there. I'm not a participant of texting and driving - or texting at all - but I see there's something going on in civilization which is coming with great vehemence at us.

If you want to propose marriage to your girlfriend and you live in England and she is in Sicily, do the decent thing and walk down there. Travelling by car or aeroplane wouldn't be right at such a moment.

I'm one of the few reading and thinking people who loves Las Vegas for the vulgarity and omnipresence of the dream. The collective dream. There's something enormous about it. Let me say one thing: Las Vegas and cinema have similar roots. The country fair. The magician at the country fair. The vulgarity of the country fair.

I am torn between the beauty of the natural world, which you see all around us, and the idea that some dumb tornado could blow a telephone pole onto my sweet Camaro.

In the communist revolution in North Korea, when they threw out the Japanese occupiers, they claimed the power in the dynamic of this volcano for their revolution, saying that this is at the center of the dynamics of our revolution. Everything that you encounter - you don't have, for example, any advertisements, you don't have anything like that anywhere in the country - if you see anything it would be propaganda, and propaganda always inevitably comes back to the volcano. It's always including the volcano. You see the new leader and standing behind him you see the volcano.